Miles Davis – Kind of Blue

£185.00

Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis’ Kind of Blue, Due End of May 2021

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Miles Davis – Kind of Blue

They do not come any bigger than this!

The biggest-selling jazz LP of all time on Analogue Productions UHQR!

Limited edition run

Miles Davis - Kind of Blue

Miles Davis Kind of Blue meets Analogue Productions’ UHQR, the pinnacle of high-quality vinyl!

  • Definitive handmade limited run reissue Ultra High Quality Record!
  • 33 1/3 RPM LP release limited to 25,000 copies
  • Best-selling album in jazz history; mastered from the original master tapes by Bernie Grundman
  • Pressed at Quality Record Pressings using Clarity Vinyl® on a manual Finebilt press
  • Purest possible pressing and most visually stunning presentation and packaging!
  • Dream team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb make history

Legends have a way of sticking around.

If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis’ Kind of Blue.

The top-selling jazz album of all time, it has been lauded, entered into “Best Of” lists and Halls of Fame, and universally acknowledged as a landmark recording — a five-track masterpiece of melancholy mood and melody.

It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded.

Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian “Cannonball” Adderley with Wyton Kelly playing piano on “Freddy the Freeloader.”

Now Analogue Productions, together with Quality Record Pressings, is putting Kind of Blue where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl on a manual Finebilt press with attention paid to every single detail of every single record.

The 200-gram records will feature the same flat profile that helped to make the original UHQR so desirable.

From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer’s stylus to play truly perpendicular to the grooves from edge to center.

Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation.

Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market.

Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection.

This will be a truly deluxe, collectible product.

Kind of Blue is more than Miles Davis’s most enduring recording, it’s a testament to Miles’ experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time.

“The music has gotten thick,” Davis complained in a 1958 interview for The Jazz Review. “… There will be fewer chords but infinite possibilities as to what to do with them.” Kind of Blue is, in a sense, all melody — and atmosphere.

None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session.

Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.

Miles remained proud of the album, performing at least two of its tracks — “So What” and “All Blues” — for years after, until his musical path took him in a different direction.

History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records — LPs; high-end turntables, and other stereo components).

Kind of Blue also benefited from Miles’ being signed to the leading major record company of the day — Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.

A minor audio complication with Kind of Blue has been addressed with this UHQR edition.

The motor on the studio’s 3-track master recorder was running slowly the day of the album’s first session.

This speed issue affected the album’s first three tracks, “So What,” “Freddie Freeloader” and “Blue in Green,” making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records — or their latter-day parent, Sony Music — on a CD reissue in the late ’90s.

Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise.

As they set out to make their UHQR series the world’s best-sounding vinyl records, they have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise.

All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.

Brand

Analogue Productions

Analogue Productions It was in 1992 that Acoustic Sounds owner Chad Kassem reissued his first Analogue Productions title, Virgil Thompson's The Plow That Broke The Plains, originally on Vanguard. Analogue Productions began as a vehicle for Kassem to license his favorite all-time recordings and reissue them as remastered and as a superior version to the original release. Since its inception AP has reissued hundreds of titles, ranging from classical to folk, pop, rock, blues and jazz. Included in the many highlights of Analogue Productions' history are the Fantasy 45 Jazz Reissues, the Blue Note Reissues, and premium box sets of the music of such legendary acts as The Doors, Stevie Ray Vaughan, Creedence Clearwater Revival, Nat "King" Cole and Norah Jones. True to its name, Analogue Productions works with the original analogue master tapes - more than any other reissue label! The result is superior sound - richer, warmer and more lifelike, than digital.

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