PrimaLuna EVO100 DAC

£2,888.00

Valve DAC

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SKU: PRIMALUNAEVO100DAC Category: Tags: , , ,

PrimaLuna EVO100 DAC

Introducing the world’s first tube-based data clocking device: the SuperTubeClock™

By incorporating a low-noise mini-triode vacuum tube into the digital clock, this boldly conceived design provides vastly superior resolution, detail retrieval, improved clarity, increased definition and detail from top to bottom.

Premium parts including polypropylene coupling caps, triple pi power supply filters, custom designed isolation transformers which separate the analogue and digital devices, resulting in decreased signal degradation and improved sonics from top to bottom.

Many DACs weigh in at 2kg or less. The EVO100 DAC weighs nearly 13.2Kg

You spend a lot of money on interconnects. So why have the signal go right from the RCA jacks or speaker terminals into circuit boards with copper traces so thin you can hardly see them? What’s high-end about that?

PrimaLuna employs Point to Point Wiring within the EVO100 DAC.

The entire signal path, including resistors and capacitors, is painstakingly hand wired with heavy-gauge cable by craftsman.

DUAL MONO TOPOLOGY

Per channel dedicated tubes. While it is fine to use a single tube as a buffer for both channels and claim your DAC is “tube”, it can’t be compared to the PrimaLuna design and what it does for the music.

VACUUM TUBE RECTIFIED

Vacuum tube rectified power supply incorporates eleven separate power supply regulation circuits.

Tube rectification is synonymous with organic sound, especially when compared to DACs being known as sounding like “a computer”.

USB DIGITAL INPUT

The EVO 100 DAC, USB digital input allows using your computer for storage and playback of your music with all the benefits of features like playlists and easier access to your whole music library.

Rather than just add in an USB input as an afterthought, PrimaLuna engineers searched endlessly looking for the best-sounding USB interface they could find.

Their USB input converts the jitter-filled USB digital signal to S/PDIF, dramatically improving the digital signal quality before it gets to the SuperTubeClock.

This USB input is a true high-resolution digital input.

The SuperTubeClock™

This is where the magic happens… the SuperTubeClock™ replaces the solid state oscillator normally found in a DAC with a mini triode vacuum tube.

By using a tube, they have significantly lowered the amount of jitter and noise, resulting in superior detail retrieval.

This in turn yields superior detail and dynamics from top to bottom, and improved overall musicality.

First a note on the tube itself: EVO 100 DAC

The tube is a very rugged, long-life Russian military Triode specifically designed for oscillation purposes… which is its function here.

It is running very conservatively so life expectancy is roughly 5 to 10 years of operating time.

The small glass envelope guarantees very low microphonics.

Triode tubes are inherently low noise devices, and extremely linear when used properly.

This means that the oscillation frequency wave it produces is very pure and clean.

The noise in the sidebands, from 10Hz to 100kHz on either side of the oscillation frequency, is extremely low.

This is the important spectrum for audio. Everything below and beyond that can be ignored.

When you reclock the inputs, any noise that is generated here appears unfiltered and unattenuated at the input of the conversion chip, and injects jitter, which from then on is an indistinguishable part of the digital audio stream.

No amount of cleaning will ever be able to remove this noise once it reaches this point; it has become part of the audio signal.

This noise “rides” on the audio signal, so you do not hear it as noise, but as smearing of notes and masking of detail.

There is a distinctive loss of dynamics, tonal purity, inter-transient silence, and sense of timing. they call this “noise modulation.”

This is why the low noise, especially in the 10Hz-100kHz sidebands of the oscillator, is so crucial.

Again: below and beyond these frequency extremes is trivial, because it will not affect the audio, and will not reach the analogue outputs.

When the clock is used to clock the DAC chip, a similar situation occurs as described above: the noise appears at the location where the digital audio stream is converted to successive steps in a staircase wave, which represents the analog audio signal.

Each step has to be EXACTLY 1/441000th, 1/96000th, 1/176400th, or 1/192000th.

The injected noise introduces a deviation in time which is the exact replica of that noise.

This means that the audio signal at the outputs of the DAC chip has the noise riding on it, again as an inherent part of the signal.

No amount of filtering will remove the noise once it reaches this step. Again you can experience that smear and detail masking, with that distinctive loss of dynamics, tonal purity, inter-transient silence, and sense of timing.

Here you see how much sense it makes to reclock BOTH the inputs AND the DAC chip.

The oscillation frequency wave a tube produces is a sine wave. That’s no good: It has to be converted to a square wave.

This is a very delicate procedure: when the rising and falling edges of a square wave are not steep enough, there exists a certain window during which the actual transition of the data bit is not exactly time-defined.

It leaves room to be either too late or too early.

This is a partly random process, and partly dependent on surrounding conditions; such as power supply voltage variations, ground noise, inherent CMOS or chip crosstalk in the decoder or DAC chip, etc.

All these timing variations are noise, and are called jitter from various sources.

The steeper the edges, the more exactly defined the transition moment will be, resulting in less noise (jitter).

When a clock produces a very stable frequency with such low jitter, there will be a more accurate reproduction of the original analog waveform of the music.

PrimaLuna EVO100 DAC Specifications

Inputs
USB
AES/EBU
Coax
Optical

Outputs
Stereo RCA

PCM
(all inputs)
16bit-24bit
44.1kHz-192kHz

DSD (USB)
DSD (other inputs)
DSD64-DSD128 (DoP)
DSD64 (DoP)

DAC
TI (Burr Brown)
PCM1792A
24bit/192kHz

Upsampling
TI (Burr Brown)
SRC4192

Tube Complement
2 – 12AX7
2 – 12AU7
2 – 5AR4

Dimensions (W x H x D)
11″ x 7.5″ x 15.9″

Weight
13.2Kg

 

Brand

PrimaLuna

PrimaLuna The driving force behind PrimaLuna is one of high-end audio’s most astute and colorful figures, Herman van den Dungen. It’s been said that many successful, creative people “march to the beat of a different drummer,” but it’s the ability to get others to hear your tune and march with you that distinguishes the most accomplished. Van den Dungen is undoubtedly one of them. With a reputation of gathering the best talent for his projects, the widely-known, Dutch-born entrepreneur in 1998 launched the well-valued AH! Njoe Tjoeb CD player to critical acclaim in Europe. A year later, seeking to expand sales in the United States, he forged a relationship with Kevin Deal. A dynamic, high-end dealer with sufficient capital to import the product, Deal also possessed a characteristic Herman found invaluable—decades of experience in tubes with an intimate knowledge of their ups and downs as they relate to the consumer. The two immediately hit it off, sharing the philosophy of providing an exceptional, reliable product at a great price and delivering incomparable after-sales service.

Additional information

Brand

Colour

Black, Silver

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