Vertere Redline Speaker cable


High-performance Redline Speaker Cable is based on Pulse-XS with Vertere’s unique multiple conductors for enhanced signal transmission.


Vertere Redline Speaker cable

Redline speaker cable

High-performance Vertere Redline Speaker Cable is based on Pulse-XS with Vertere’s unique multiple conductors for enhanced signal transmission. Both signal conductor sets are identical and fully shielded in Tin plated Copper braid.

Both conductors on the Redline Speaker cable are identical and individually shielded which are then configured and terminated to provide optimum performance. Each signal conductor set utilises 10 multi-stranded, high purity copper, silver plated and Teflon coated wires with a specific twist that make up its core.

Redline Speaker Cable can be terminated in high performance 4mm Banana or Spade connectors. As with all Vertere bespoke connectors, these are especially gold plated to 3 times standard gold plating thickness.

Integral & Standard Terminal Jumper (ITJ & STJ)

Where the speaker has more than one input terminal, ITKs and STJs facilitate terminal connections without the necessity of using comprised binding post links.

ITJs are incorporated into the speaker cable and simply double up to the next terminal. There can be many ITJs as there are terminals and terminations can be 4mm or Spade – any combination.

STJs are individual and have connectors on both ends. Wherever possible it is recommended to incorporate ITJs rather than STJs. There are fewer connectors used in ITJs ensuring optimum contact integrity with each terminal.

Redline speaker cable Specifications

Type – Stereo Loudspeaker Cable

Termination and Length – 4mm Banana, Spade 3.00m (Additional lengths in 0.5m steps)

Cable Type – x10 & x10 Conductors, Redline Multi Type

Conductor – High Purity Copper

Plating – Silver, Tin

Insulation – PTEE, PVC

Shield – x2 Main Braid for Signal

Connector – Vertere with x3 Thickness Gold Plated Contacts

Size – 4.2 x 8.8mm

Additional information


3m set, 4m set, 5m set

Connector type

4mm Banana plugs to 4mm Banana plugs, 4mm Banana plugs to spades


Integral Terminal Jumper (ITJ), No options


Vertere Acoustics

Vertere Acoustics Reducing engineering to its fundamentals, to get you even closer to the original recording

When aiming to reproduce the complexities of music, it’s all too easy to introduce even greater complication in the engineering of audio equipment, putting in place one element to solve the problems of another until the whole design escalates into something fiendishly intricate – and expensive!

That’s not the Vertere way: coming at the whole problem with decades of audio and mechanical engineering experience, plus close collaboration with the recording and mastering industry, they step back, take a long hard look at the fundamentals, and look for simple, elegant solutions.

That may sound like a simple ‘less is more’ philosophy, but they prefer to look at it this way: the best audio equipment shouldn’t add anything to the original recording. Rather it should affect it as little as possible; bringing the listener ever closer to what the artist, producer and mastering engineer wanted you to hear.

Working with music industry professionals, they have access to master tapes and the acetates made in the production of records, and can compare the way the engineers heard them with the way they sound on their record players and via their cables. Vermeer Acoustics are constantly learning about how records are mixed, mastered, cut and pressed, and applying that knowledge to the way we design and build Vertere products.

The fundamentals of a record player are pretty much set in stone, in that a record needs to turn at a certain speed, and the stylus needs to follow the groove and allow the cartridge to convert its undulations into electrical signals with what is literally microscopic accuracy. However, just because those are the basics, that doesn’t mean there’s only one way to achieve them – which is why we take a long hard look, apply our ‘do no evil’ way of thinking, and endeavour to develop simpler, innovative solutions.

That’s why you’ll find their record players look different, both outwardly and in some of the engineering solutions you’ll probably never see. It’s all a matter of stripping down the engineering to those fundamentals by considering the absolute essence of how a record player works – from re-examining the way a cartridge gets its energy to ensuring it extracts maximum information from a groove that’s trying to throw it off track over a thousand times a centimetre.

So yes, the way they design and build their products is unique, but it’s not all about being eye-catching (even if we have to admit we think they look rather good): we hope you’ll find they sound just as unique, too, simply by bringing you even more of the music


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