Bowers & Wilkins 704 S2

Bowers & Wilkins 704 S2, elegant slim line floorstander designed to blend unobtrusively into your home environment, available now

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Bowers & Wilkins 704 S2

Looks can be deceiving.

Despite its slim dimensions, the 704 S2 has the commanding presence of a much larger speaker, thanks to advanced technologies such as a dedicated Continuum™ cone FST™ midrange.

704 S2

Studio sound comes home

A slim, elegant floorstander designed to blend unobtrusively into your home environment, while providing the commanding presence of a much larger speaker.

Music is a revelation, with details picked out in pin-sharp detail and with exceptional realism.

Carbon Dome™ tweeter 

Carbon Dome™ tweeters are a brand new technology purpose-built for the 700 Series. Delivering a dramatic improvement on the aluminium double-dome tweeter, they raise the breakup threshold to 47kHz, for pinpoint imaging accuracy and detail.

Continuum™ Cone
First introduced with the 800 Series Diamond, the Continuum™ cone represents the biggest step-change in midrange performance since the yellow cone. Its woven, coated material provides highly controlled break-up, resulting in a more open, neutral midrange.

Decoupled midrange 
The midrange driver in the floor-standers feature a decoupled design, adapted from a similar system in the 800 Series Diamond. Decoupling reduces cabinet colouration, and boosts midrange clarity.

Aerofoil™ Profile bass cone 
Developed using advanced computer modeling techniques, the Aerofoil™ Profile bass cone has a variable thickness, providing stiffness and rigidity where it’s needed most. The result: deep and dynamic bass.

 

704 S2 Specifications

Technical features Decoupled Carbon Dome tweeter
Continuum cone FST midrange
Decoupled midrange
Aerofoil profile bass cones
Flowport™
Description 3-way vented-box system
Drive units 1x ø25mm (1 in) Decoupled Carbon Dome high-frequency
1x ø130mm (5 in) Continuum cone FST midrange
2x ø130mm (5 in) Aerofoil profile bass
Frequency range -6dB at 43Hz and 33kHz
Frequency response 48Hz – 28kHz ±3dB
Sensitivity 88dB spl (2.83Vrms, 1m)
Harmonic distortion 2nd and 3rd harmonics (90dB, 1m)
<1% 100Hz – 22kHz
<0.5% 300Hz – 20kHz
Nominal impedance 8Ω (minimum 3.1Ω)

 

Recommended amplifier power30W – 150W into 8Ω on unclipped programme

Dimensions Height: 925mm (36.4 in) cabinet only
959mm (37.8 in) including plinth
Width: 165mm (6.5 in) cabinet only
252mm (9.9 in) including plinth
Depth: 255mm (10in) cabinet only
277mm (10.9 in) inc. grille and terminals
298mm (11.7 in) inc

 

Net weight18.5kg (41 lb)

 

Finishes Cabinet:Rosenut
Gloss Black
Satin WhiteGrille:Black
Grey (Satin White only)

Additional information

Colour

Gloss Black, Rosenut, Satin White

Brand

Bowers & Wilkins

Bowers & Wilkins

1960s: Humble beginnings

The sleepy coastal town of Worthing in South England might not look like a hotbed of 1960s freewheeling experimentation, but for audio fans it’s a place that’s synonymous with innovation. Thanks to the first Bowers & Wilkins speakers built here in the early years of the company, music lovers could experience albums such as Sgt. Pepper and Pet Sounds in new, mind-expanding depth and clarity

1966: Beginings

John Bowers begins assembling speaker systems in the workshop of his electronics shop in Worthing, South East England Following an inheritance of £10,000 from a satisfied customer, John Bowers sets up his own loudspeaker company

1966: P1

The first Bowers & Wilkins loudspeaker. The profit from P1 allowed the company to invest in new calibration equipment

1968: Domestic Monitors

The DM1 and DM3 were launched to bring high quality audio to more customers, at an affordable price point

1970s: A decade of milestones

With the company established and growing fast, Bowers & Wilkins developed its reputation for innovative design backed up by world-leading R&D. They introduced new forms and design concepts including Tweeter-on-Top, new cone materials such as Aramid fibre, and it all culminated in the launch of the iconic 801, soon to become the reference speaker of choice for many of the world’s leading recording studios

1970: DM70

With its curved cabinet, the DM70 changed the shape of loudspeaker design

1980s: The application of science

Extensive investment in research led to the establishment of the company’s dedicated R&D facility in Steyning. The era of MTV pop superstardom and bombastic stadium rock also saw Bowers & Wilkins buck the trend and introduce something small and unobtrusive: the “compact monitor”, or CM1

1990s: Rewriting the rulebook

The 1990s saw the pioneering work of the Steyning research team realised in spectacular fashion with the launch of Nautilus™, a speaker that rewrote preconceived notions of speaker design. It also saw major product launches at both ends of the spectrum, with the unveiling of the highly regarded entry-level 600 Series and the flagship Nautilus 800 Series

2000s: Expansion in to new categories

The decade that brought us iPods and smartphones saw them embrace the new world with the launch of the iconic Zeppelin. They also expanded into the car audio category and transformed the performance of their 800 Series with the development of the Diamond-dome tweeter

2015: 800 Series Diamond

The latest version of their flagship introduced a complete redesign and revolutionary new technologies, such as the Continuum™ cone

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