Heed Audio Orbit

£600.00

Both Orbit models give the added convenience of electronic speed change between 33 1/3 and 45 RPM via one single, elegant push-button.

Heed Audio Orbit

TURNTABLE POWER SUPPLY

Heed Audio Orbit

The speed accuracy and stability of many belt drive turntables driven by a synchronous motor depends entirely upon the quality/consistency of frequency delivered by the domestic mains supply.

However, mains frequency at 50Hz / 60Hz leaves much to be desired since it is subject to fluctuation, distortion, and other innumerable problems prior to reaching your listening room.

The Heed Orbit 1 and Heed Orbit 2 off-board turntable power supplies offer a sophisticated solution to stabilise and improve any 4-pole, low-power 110V synchronous motor drive, elevating your deck’s sonic performance to startling new levels of musicality.

Backgrounds become “blacker”, separation of instruments more sharply defined, while bass gains added depth, and the overall soundstage widens accordingly.

Both Orbit models give the added convenience of electronic speed change between 33 1/3 and 45 RPM via one single, elegant push-button in lieu of the rather fussy manual speed change arrangement of many turntables (removing the platter and shifting the belt on the motor pulley time and time again).

The Orbit regulates your turntable’s motor drive via an intricate quadrature-quartz speed generator, providing unsurpassed speed accuracy and pitch stability.

Packed into a hefty shielded steel casework (protecting the unit from electromagnetic interference and vibration) are two mains-filtering transformers, and a high-current amplification circuit to assure that the power passed onto your motor is smooth and constant, with no fluctuation and virtually immeasurable distortion.

The Orbit 1 requires a small modification of the motor circuitry (must be carried out by your qualified dealer/technician).

The Orbit 2 adds the convenience of genuine plug & play compatibility (no modification necessary).

Choosing between them is down to optimum performance vs. convenience of installation.

You may rest assured, however, that the Orbit 2 trades in very little of the Orbit 1’s uncompromising technical and sonic performance for its plug & play practicability.

Heed Audio Orbit Audio Venue

Compatibility

The Orbits can be the ideal partner for the vast majority of classic Rega turntables equipped with 4-pole, 110V synchronous motors (Planars 2&3, P2, P3, P25 and their OEM derivatives as marketed by the likes of NAD and Goldring – however not to the new 24V AC synchronous motor drive in their latest turntables), as well as various models offered by Nottingham Analogue, Thorens (TD150/160 series), Systemdeck, and Kuzma to name just a few.

Last but not least the Orbit 1 also compliments the Linn Sondek LP12 as an affordable alternative to Linn’s top-of-the-line LP12/Lingo combination.

Features

  • 2 versions: Orbit 1 (110V) and Orbit 2 (230V)
  • quartz regulated, noise free output
  • push-button speed change (33,1/3 and 45 rpm)

Heed Audio Orbit specification

Type: – Turntable power supply

Output voltage: – 220 V (Orbit 2) / 110 V (Orbit 1)

Output frequency: – 50 Hz (for 33.1/3 rpm) / 67.5 Hz (for 45 rpm)

Output stability: – 0.1 % frequency shift / max. 1 % THD

Output power: – Max. 3 W

Dimensions (W x H x D): – 9.5 x 7.5 x 22 cm

Additional information

Version

Orbit 1, Orbit 2

Brand

Heed Audio

HANDCRAFTING MORE THAN A SIMPLE HUMAN TOUCH Creating something is a wonderful feeling. To witness the numerous pieces of electronic and mechanical parts being hand crafted to form a complete working device is delightful. Every single component receives exacting attention and is the perfect element to provide you with an unrivalled musical experience. Heed PCB From the hand soldering of the circuit boards to the fine adjustments of the volume knob, Heed ensure every process and incorporate only the highest quality components to make a Heed amplifier the best in class. Rigorous quality control provides the highest possible standard and reliability of their devices. Every single device meets our strict performance regulations but similar to twins, they know that each and every one produced is unique to you. TRANSCAP TUNED NON-DIRECT COUPLED AMPLIFIER TECHNOLOGY When you own a Heed amplifier you meet technology that you most probably have never seen in action before. Like the almost forgotten (and then reincarnated) valve technology, the output capacitor transistor amplifiers can normally only be found in the deepest recesses of engineers drawers. The technical difficulties of RC-Coupling means almost 100% of todays manufacturers opt for the easier direct-coupled solutions instead. With great effort and countless development hours there is a way to employ an up to date and sonically better sounding RC-Coupled amplifier. Heed have chosen this way. Like the belt of a great turntable or the output transformer of a valve amplifier, the output capacitor makes for a great decoupling between the amp and the speaker. But the main advantage is the fact that a capacitor is an energy storage device. By design, this capacitor connects directly onto the speaker, with no in-between elements. Power delivery becomes rapid and precise. To charge this power element, Heed use a push-pull complementary Darlington transistor drive stage. TMR TRANSMISSION-LINE-REFLEX SPEAKER LOADING Every dynamic speaker driver needs some kind of acoustical load to work as it should. The most common solution is a cavity attached onto the back side of the diaphragm. This speaker box may be closed or vented. The vented ones are trickier to design because there are many parameters impacting on the result. There are ‘rule of thumb’ designing guides to make such boxes as bass-reflex, transmission-line, open baffle, compound or horn loading, each of them handled like an entirely different solution. Acoustics are however based on physical facts. If they use a vented enclosure with an opening at one side, it will be a resonant chamber, even if Heed use it as a transmission-line element. The adjustment of such enclosure needs extra care and attention. Incorporating all known calculating methods they build enclosures that fit all aspects. This is the perfect way to slip between working states, achieving the crisp, fast and rhythmical but yet fluid and almost organic sound Heed oh so like.   This power transforming system needs to be perfectly balanced. The heart of our Transcap technology lies in the precise adjustment of all the charge transmitting and current delivery channels. This propels all the common amplifier components; mains transformer, power supply, voltage and power amplifier stages, into something radically different. You may see now, this is no ordinary amp and it cannot be measured by common standards. Using our methods the sound becomes thick, warm, yet clear and life-like, as it properly translates the electronic signal into the acoustic world.

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