Janis Joplin Pearl SACD

£45.00

Mastered from the original master tapes, the iconic audiophile label’s SACD takes Joplin and Co.’s stupendous performances

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Janis Joplin Pearl SACD

IMPECCABLE TIMING, DEVASTATING VULNERABILITY, AND RAW EMOTION: STEEPED IN SOUL AND LOADED WITH SPIRIT

Janis Joplin wouldn’t be denied on Pearl.

Janis Joplin Pearl SACD

The powerhouse vocalist had kicked her addictions, teamed with a stupendous band, and partnered with a producer that knew how to best showcase her voice on record.

She came to the sessions with an armload of astonishing songs, and a burst of creative energy that mirrored her rejuvenated emotional state and undeniable spirit.

You can hear it on every note of the 1971 record. Ranked #135 on Rolling Stone‘s 500 Greatest Albums of All Time list, Pearl sold more than four million copies and stands as the first female rock superstar’s definitive studio work.

Janis Joplin Pearl Track list

  1. Move Over
  2. Cry Baby
  3. A Woman Left Lonely
  4. Half Moon
  5. Buried Alive In the Blues
  6. My Baby
  7. Me and Bobby McGee
  8. Mercedes Benz
  9. Trust Me
  • Get It While You Can

Mastered from the original master tapes, the iconic audiophile label’s SACD takes Joplin and Co.’s stupendous performances to newly transcendent levels.

Boasting a fidelity that further magnifies the singer’s passion and producer Paul A. Rothchild’s clear production, this sterling reissue reveals increased spaciousness, dynamics, and openness. Joplin’s husky, strong, and penetrating singing has never sounded so vibrant or made deeper connections.

Warm, organic, and free of any artificial ceilings, this version lets you step into Sunset Sound Recorders with the performers, such is the degree of realism and authenticity.

Indeed, few, if any words, describe Joplin better than “authentic,” and her spirit comes to life on this edition in positively transcendent fashion.

Like its headliner, this Janis Joplin Pearl SACD leaves it all on the floor.

While Joplin’s electrifying vocal prowess is universally lauded – she’s recognised as the greatest white female blues singer the world has ever seen – her mix of compassion, confidence, and charm play as large a role in attracting listeners and keeping them ensnared more than four decades after her tragic death.

And on Pearl, she burrows into deeper stylistic veins, teasing out sides of her persona and craft she’d never previously displayed.

Her signature desperation, sadness, and vulnerability remain – the harrowing, lonely wail that begins her soul-ravishing take on Jerry Ragovoy’s “Cry Baby,” underlined with a Wall of Sound-like piano accompaniment, could only come from a person severely scarred by loss and disappointment – yet Joplin also reveals a sense of humour and beatnik innocence that helped propel the album to the top of the charts for nine straight weeks.

Playfully introduced as “a song of great social and political import,” the acapella “Mercedes Benz” reflects Joplin’s throaty timbre as well as her enhanced, sunnier mood.

Similarly, her definitive read of Kris Kristofferson’s “Me and Bobby McGee” signals a laidback demeanor and a move into country strains, with the delivery as natural, carefree, and loving as any in the rock canon.

As she does throughout the record, Joplin invests her all in the narrative so that there’s no line between the performer and the song.

She makes everything on Pearl feel autobiographical, and by extension, gut-wrenchingly honest, and devastatingly intimate.

Joplin achieved these feats often during her brief career, yet there are differences on Pearl, chiefly among them her balance of impeccable timing and raw emotion.

Heart-aching anthems such as “A Woman Left Lonely” offer both grit and control, subtlety and attack, resulting in cathartic releases distinguished with originality, personality, and instinctual passion.

Pearl remains Joplin’s finest hour, with credit also owed to the Full Tilt Boogie Band the only group she ever considered to be her own as well as the Doors alum that sat behind the boards.

Joplin and Rothchild both admitted to sharing a common bond and understanding, with the latter inheriting the role of teacher and Joplin, a willing student ready to discover how she could use her voice in new, more expressive ways.

The fruits of the pair’s labors fill Pearl, be it the guardedly optimistic “Get It While You Can” or assertive, fleet-footed “Move Over.”

Experienced in the new light brought to fore by this definitive Mobile Fidelity SACD, Joplin’s swan song is no longer about a masterpiece that its creator never lived to see finished. Rather, it’s about a once-in-a-lifetime vocalist realizing mammoth potential and wringing passion out of every note. It’s not a tragedy, but a triumph.

Get it while you can.

Brand

Mobile Fidelity

Mobile Fidelity Mobile Fidelity Sound Lab has been the undisputed pioneer and leader in audiophile recordings since the company's inception in 1977. Established by dedicated audiophiles, Mobile Fidelity's first and foremost goal was to offer faithfully reproduced high fidelity recordings that would compliment the numerous advances occurring in audio delivery systems. Throughout its history, Mobile Fidelity has remained true to this goal, pioneering state-of-the-art technologies and setting audiophile standards that remain in place today. In response to rapid advancements in both recording formats and audio delivery systems over the past several years, Mobile Fidelity has maintained its ongoing commitment to improving industry standards. This has resulted in the introduction of numerous innovations in the audiophile arena: half-speed mastered Original Master Recording™ LPs, Ultra High Quality Records™ (UHQRs), high fidelity cassettes, consumer alignment devices for phono cartridges and audio cassette decks, Original Master Recording™ compact discs, the 24-karat gold plated Ultradisc™ CD and the Ultradisc™ Ultra High Resolution™ (UHR). To this day the independently owned firm continues its commitment to exceeding industry standards.  

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