Jascha Heifetz – The Lark

£50.00

This all-analogue, HQ-180 gram LP is an impeccably performed and stunningly recorded late-period gem from The Titan of modern violinists.

2 in stock

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Jascha Heifetz – The Lark

 

All-Analogue Vinyl LP for the First Time in Almost 50 Years!
Mastered by Bernie Grundman from a 1-to-1 Flat Transfer of the Original Analogue Master Tapes!
Pressed on RTI’s HQ-180 for the First Time Ever!
Deluxe “reversed” tip-on jacket that faithfully reproduces the original with highest-grade materials
Exclusive full-colour insert with new historical and production notes by Charles L. Granata and photos from the Sony Music Archives

This all-analogue, HQ-180 gram LP is an impeccably performed and stunningly recorded late-period gem from The Titan of modern violinists. The Lark revisits works that helped define Heifetz in various points of his illustrious career and which highlight his crisp attacks, imaginative phrasings, and mellifluous sustained notes.

The repertoire is intriguing, combining two iconic pieces (Tomaso Antonio Vitali’s Chaconne in g minor for Violin and Continuo, written in the Baroque period; and Gabriel Fauré’s Violin Sonata No. 1 in A Major, Op. 13, written in the late-Romantic period) with Mario Castelnuovo-Tedesco’s The Lark: Poem for Violin and Piano (a 20th-century modern tone poem). Although nearly two-hundred years separate their composition, these pieces complement each other beautifully: a testament to the discerning judgment of Heifetz and producer John (Jack) Pfeiffer, who helped create his albums.*

The Jascha Heifetz – The Lark LP was cut by Bernie Grundman from a straight 1-to-1 copy of the original session masters, meticulously created by Andreas Meyer at Swan Studios NYC. No digital processing of any kind was used. The original reverse-tip-on-style jacket and a brand new 4-page insert split the difference between the authentic, nostalgic feel of a mint original and a reissues value proposition you’ve come to expect from Impex Records.

* (From Charles Granata’s liner notes)

Musicians:

Jascha Heifetz – violin
Richard Ellsasser – organ (A1)
Emanuel Bay – piano (A2)
Brooks Smith – piano (B1)

Selections:

Side A:
TOMASO ANTONIO VITALI (1663-1745)
1. Chaconne (for Violin and Organ) with Richard Ellsasser at the organ
MARIO CASTELNUOVO-TEDESCO (1895-1968)
2. The Lark (Poem in the form of a Rondo) with Emanuel Bay at the Piano

Side B:
GABRIEL FAURÉ (1845-1924)
1. Sonata No. 1, In A, 0p. 13 with Brooks Smith at the Piano

Brand

Impex Records

Impex Records

What They Do

You live for this. The anticipation of pulling open the heavy-plastic outer sleeve. The sensation of removing the disc from its heavy-board, tip-on jacket. The heft of the 180-gram vinyl disc sliding into your hand. The satisfaction of the perfectly flat LP becoming one with the platter. The astonishment at the record’s silence surface. And then, that sound – the brilliant, vivid fidelity – and the euphoric emotion of being there at the creation: inside hallowed recording spaces such as Columbia’s 30th Street Studio, Capitol Studio A in Hollywood, or Abbey Road in London. From the moment the stylus hits the groove, you’re enveloped by amazing performances captured in extraordinary, life-like sound. Music with unprecedented transparency, immediacy and richness of tone. Pristine sound that comes as close to the original analog master tape as is humanly possible. Deep feelings abound as you experience the impeccable craftsmanship of an IMPEX RECORDS audio disc. This is the reward you’ve earned for a deep-seated love of music, your commitment to superior sound and the countless hours and prodigious capital you’ve invested in building a playback system that can transport you to your musical Nirvana. At IMPEX RECORDS, we make 180-gram LPs, 24K Gold CDs and Super Audio Compact Discs of uncompromising quality: exceptional products designed for discriminating listeners with a passion for music and sound. Our love for music, and respect for the art and science of sound recording, guides and informs every decision we make. Our dedication leads to obsessing over every detail of the craft for one purpose: to put you front-row center in the studio, club or concert hall to encounter great music exactly as it was recorded, with the highest of fidelity

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