JBL SDR-35

The half-inch thick anodised aluminum fascia with bead -blasted accents and solid glass display makes a distinguished statement

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JBL SDR-35

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Class G Immersive Surround Sound AVR with 16 channels of native processing, Dolby ATMOS, DTS:X, Auro 3D, IMAX Enhanced, Dirac Live, streaming, and Dante.

Designed to ensure exceptional performance without compromise.

With best- in- class audio and video signal integrity, 16 channels of native processing, Dolby ATMOS, DTS:X 3D, Auro 3D, IMAX Enhanced, Dirac Live, Logic16, Network Streaming, Dante and Class G amplification; the SDR-35 delivers a powerful, sensory-rich experience with unrivaled flexibility.

Immerse Yourself

Best in class audio and video signal integrity and processing, as well as uncompromised Class G amplification, ensure exceptional transparency even with the most demanding program material.

An audiophile-grade 24Bit / 192kHz ESS Sabre Pro DAC, combined with Dirac Live room equalisation and the exceptional dynamics and low distortion of Class G amplification ensure pristine sound for music and movies.

The Harman proprietary Logic 16 up mixer allows content to envelop the listener with a rich and natural three dimensional sound, no matter the source format.

Your Content Your Way

Many high-end AVR’s exclude real world everyday conveniences for the end-user.

The JBL SDR35 provides a variety of ways to experience content whether using an elaborate network media server over Ethernet or Wi-Fi or simply streaming directly from your tablet or phone via Bluetooth with aptX™ HD.

You can source content from a smart TV with high-resolution audio via eARC, utilise Chromecast® built-in and Apple® AirPlay 2™.

There’s even a DAB/FM antenna for OTA radio!

Superior Video

JBL SDR-35

Advanced circuitry and decades of know-how ensure the 4K “Ultra HD” video signal is perfectly clear and rock solid.

The video stages are designed to harness the latest technology and deliver the best quality formats including Dolby Vision™, HLG, HDR10, HDR10+, HDMI2.0b with HDCP2.2, and 3D video capabilities built-in.

IMAX Enhanced

The JBL Synthesis SDR-35 is an IMAX Enhanced-certified AV receiver and features DTS:X immersive audio decoding that is optimised to properly reproduce the full dynamic range of IMAX theatrical sound mixes available in IMAX Enhanced content.

With meticulous adjustments modeled on the IMAX theatrical sound system, this proprietary IMAX audio mix is translated for home theater environments and exclusively delivered using a special variant of the DTS:X CODEC technology to deliver the IMAX signature sound experience in the home.

A More Dramatic TV Experience

Dolby Vision™ is superior HDR. Using the same underlying technology as the most advanced movie theatres, Dolby Vision enables an enhanced image through superior content and smarter TV display performance.

Audiophile Quality

The JBL Synthesis SDR-35 leverages the 24bit /192 kHz ESS® Sabre 9028 Pro featuring -120dB THD+N for D/A conversion.

The analogue circuitry on the input and output stages is optimised for unequaled dynamic range, ultra-low distortion, and unmatched audio clarity.

Carefully designed anti – jitter circuitry and ultra-clean power supplies are incorporated to ensure all audio paths, including HDMI, are uncompromised.

Class G Amplification – The Best of Both Worlds

Class G offers greater efficiency and transparency, with less wasted heat energy than class A.

Like a hybrid car engine, Class G implements multiple power supplies.

The first power supply runs in pure Class A, which has no crossover distortion.

If a dynamic signal is received that goes beyond the capability of this first power supply, the secondary supply is gradually incorporated up to full rated power output as required.

This efficient design means additional power is only used when required.

Modern high-speed silicon allows this switch to take place well beyond the audio bandwidth.

Multiple output devices within the amplifier ensure your listening experience is powerful, dynamic and crystal clear.

Flexibility

With 15.1 decoding, 9.1.6 preamp outputs, plus seven channels of amplification, independent Zone 2 combined with RS232, and Ethernet, the SDR-35 offers exceptional versatility.

Four of the sixteen channels allow independent volume and delay settings for added configuration options.

Independent volume control for the subwoofers allow fine-tuning, and front panel headphone and aux (3.5mm) jacks add convenience.

Flexible configuration, including Dante, IP, IR, and RS232 control and a Zone 2 with high-resolution audio, 4K video, IR, triggers, and optional power , make the SDR-35 an outstanding choice for a broad range of applications.

Dante

The JBL Synthesis SDR-35 includes Dante, an uncompressed, multi-channel digital media networking technology, with near-zero latency and synchronization.

All 16 channels of processed audio, plus Zone 2 (18 channels total) can be routed to any Dante enabled receiving device over a standard network.

Dante does away with heavy, expensive analog or multicore cabling, replacing it with low-cost, easily-available CAT5e, CAT6 for a simple, lightweight, and economical solution.

Dante is easy to set up and compatible with JBL Synthesis Dante enabled amplifiers as well as a wide selection of third-party Dante-enabled audio products.

Dante integrates media and control for your entire system over a single, standard IP network. The applications are endless.

Logic16 

JBL has a rich history in professional digital audio processing, with products found in the vast majority of world-class recording studios.

This pedigree is evident in the proprietary Logic16 up mixer, which produces astonishing natural three-dimensional sound.

Designed by HARMAN® research scientists and engineers, Logic16 provides a listening experience that will make you feel like you are in the concert hall or on the set.

This subtlety is achieved without the sense of psycho-acoustic processing or effects.

Logic 16 will up-mix any input source from mono up to 15.1, including all Dolby formats.

Luxurious Industrial Design

The modern industrial design exudes luxury.

The half-inch thick anodised aluminum fascia with bead -blasted accents and solid glass display makes a distinguished statement.

A sturdy 2” aluminum knob performs volume control and data entry with a smooth and steady feel while the geometric button array keeps the lines clean and functionality simple.

Front panel menu options are served up on full-color OLED display.

Designed for the Integrator

The JBL Synthesis SDR-35 is designed for a broad range of CI applications.

With an available rack mount kit, Dante, eArc and in internal Java-based configuration page, and range of control options, the install, set up, calibration and user experience is better than ever.

Control drivers are available for Crestron, Control 4, Elan, RTI, URC, and Savant.

JBL SDR-35 Highlights

  • Immersive High Resolution Sound: 16 Channels of discrete high resolution processing with 4 user configurable channels enable a plethora of set up options for Dolby Atmos, DTS:X3D, Auro 3D Immersive Surround Sound Applications.
  • Dante Network Audio: All 16 channels of processed audio, plus Zone 2 can be routed on a single CAT5e, CAT6 cable over a standard network. Dante is easy to set up and compatible with Dante enabled JBL Synthesis amplifiers.
  • IMAX Enhanced: IMAX Enhanced-certified AV receiver and features DTS:X immersive audio decoding that is optimized to properly reproduce the full dynamic range of IMAX theatrical sound mixes available in IMAX Enhanced content.
  • Network and Bluetooth Streaming: Control your favorite content over Ethernet or Wi-Fi, via Chromecast built-in, Apple AirPlay 2, Roon, the Harman Luxury MusicLife app, play directly from a USB flash drive, or stream via Bluetooth with aptX HD.
  • Class G Amplification: Like a hybrid car engine, Class G implements multiple power supplies. The first power supply runs in pure Class A, which has no crossover distortion. If a dynamic signal is received that goes beyond the threshold of this first power supply, the secondary supply is gradually incorporated as required.
  • Cinematic Video Experience: Dolby Vision, HDR10+, HDMI2.0b with HDCP2.2, 4K “Ultra HD” as well as 3D video capabilities are built-in.
  • Designed for the Integrator: Dante, eARC, and an internal Java-based configuration page, Dirac Live, IP, IR, and RS232, and all major control system drivers -controlling the install, setup, and calibration has never been easier.
  • Available rack mount kit (JBLRMRK sold separately)

What’s in the box?

  • Remote Control with 2 X AAA Batteries
  • Calibration Mic
  • Power Cord
  • Manual
  • USB Cable
  • DAB/FM Aerial Antennna
  • 3 x Wi-Fi/Bluetooth Antennas

Specifications JBL SDR-35

Specifications JBL SDR-35
Continuous power output, per channel 8Ω/4Ω
2 channels driven, 20Hz – 20kHz, <0.02% THD 120W/200W
2 channels driven, 1kHz, 0.2% THD 140W/220W
7 channels driven, 1kHz, 0.2% THD 100W/180W
Residual noise & hum (A-wtd) <0.15mV
Maximum input 4.5V rms
Nominal sensitivity 1V, 2V, 4V (user adjustable)
Input impedance 47kΩ
Signal/noise ratio (A-wtd ref 100W) normal/stereo direct 100dB/110dB
Frequency response 20Hz—20kHz ± 0.1dB
Nominal output level 1V RMS (max. 5V RMS)
Output impedance 560Ω
THD+N (20Hz—20kHz) –100dB
Headphone Output Maximum output level into 32Ω 5Vrms
Headphone Output Output impedance:560Ω <100Ω
Mains voltage 110–120V or 220–240V, 50–60Hz
Power consumption (maximum) 50W (Thermal dissipation approx. 170 BTU/hour)
Power consumption (idle, typical) 40W (Thermal dissipation approx. 170 BTU/hour)
Power consumption (standby) <0.5W
Dimensions W x D (including speaker terminals) x H (including feet) 433 x 425 x 171mm
Weight (net) 10.6kg
Weight (packed) 13.9kg
JBL SDR-35 Angled

Brand

JBL

JBL’s founder helped motion pictures speak. From then on, they been continuously advancing the science of high-fidelity sound reproduction, right on up to and including Synthesis Ultra. As the Jazz Singer put it back in 1928, “You ain’t heard nothin’ yet.”
  • 1943  Flat-wire milling and high-speed winding of ribbon-wire voice coils developed.
  • 1944  Lansing and Hilliard redefine the state of the art for motion picture theaters with the A-4, dubbed the “Voice of the Theatre.”
  • 1946  James B. Lansing Sound, Inc. is formed.
  • 1947  JBL produces the D-130 15″ loudspeaker, which was the first known use of a 4″ flat-wire coil in a cone transducer.
  • 1954  JBL introduces the model 375 high-frequency compression driver. This is the first commercially available 4″ diaphragm driver, producing flat response to 9kHz.
  • 1958  The cylindrical reflecting principle is present in the Paragon stereophonic loudspeaker system.
  • 1962  JBL produces the first two-way studio monitor to use a high-frequency compression driver with acoustic lens.
  • 1969  Harman International acquires JBL from William Thomas, and JBL embarks on a period of accelerated international growth through the Harman distribution companies.
  • 1973  JBL unveils the first four-way studio monitor series, the 4300s.
  • 1976  JBL monitors are ranked number one in the U.S. recording industry, in a survey conducted by Billboard.
  • 1982  Titanium is first used as a diaphragm material in compression drivers. JBL 4675 direct-radiator systems, with constant directivity, set the performance standard for cinema loudspeakers.
  • 1983  JBL is selected by Lucasfilm to develop the first commercial THX®-licensed cinema speaker system.
  • 1984  The Academy of Motion Picture Arts and Sciences selects JBL components for the new sound system in the Samuel Goldwyn Theater.
  • 1985  Harman International continues to take JBL’s growth to greater heights and new markets.
  • 1989  The Directors Guild of America chooses JBL components for its headquarters building.
  • 1990  JBL develops Vented Gap Cooling™ for raising the thermal power limits of low-frequency transducers.
  • 1991  JBL introduces the first Pro Audio neodymium woofer, debuting in the JBL Array Series.
  • 1992  JBL Synthesis® is released – the industry’s first completely equalized, processed, powered THX Home Media System.
  • 1993  JBL develops new “rapid flare” low-distortion compression drivers and a matching family of horns.
  • 1994  The JBL S2600 receives the highly coveted Golden Award and Stereo Sound COTY Award for its advanced technological execution and superior sonic performance.
  • 1996  JBL’s Synthesis SDEC-1000 brings digital technology to its highest level for the benefit of the consumer.
  • 2000   At 6,500 watts, the Synthesis Ultra system is the most powerful home theater system available, at any price.
  • 2001  JBL releases the K2 S9800, employing the 435Be and 045Be pure-cast beryllium compression drivers.
  • 2003  The JBL Synthesis S4A is the world’s first THX Ultra2™ in-wall, flush-mount, multipole loudspeaker.
  • 2004  S4A is awarded the International CES Innovations Award.
  • 2005  JBL’s Bernard Werner and William Gelow receive a Grammy Technical Achievement Award for “the engineering and design of filtered line arrays and screen spreading compensation as applied to motion picture speaker systems” as employed in JBL ScreenArray © cinema loudspeaker.
  • 2006  JBL celebrates 60 years as the worldwide leader in audio reproduction. The new reference in JBL home audio performance – Project Everest.
  • 2007  CES Best of Innovations Award: JBL Project Everest DD66000 Loudspeaker
  • 2008  CES Innovations Award Honoree: JBL SDEC-4000 Digital Equalizer
  • 2009  JBL Synthesis® One Multichannel Audio System is inducted into the CEDIA Product Hall of Fame. The JBL Synthesis® One was the world’s first complete, integrated multi-channel audio system designed specifically for custom installation home theater, and was the first system that enabled custom calibration to deliver optimum performance in any room.
  • 2011  ARCOS Adaptive Room Correction and Optimization is offered for system design, to achieve a new level of accuracy for home audio.
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