Naim NSS 333

£8,500.00

Naim products are designed to be both contemporary and timeless.

In-Store Only: This product can only be bought in store.

Naim NSS 333

Audiophiles’ favourite high-resolution streamer

Naim NSC 333

The quality of a hi-fi system depends on its sound source.

Compatible with file formats used by top streaming devices and services, Naim NSS 333 is a high-resolution streaming solution that delivers on its promise.

The built-in DAC converter improves the performance of other devices in your system.

Compatible with the entire Naim range, Naim NSS 333 allows you to control your system easily from the Focal & Naim app.

With Naim NSS 333, you can find the most recent streaming platforms (Spotify connect, Apple Music, TIDAL, TIDAL Connect and Qobuz) and listen to your favourite radio stations.

Thanks to the integrated AirPlay2, Chromecast, UPnP™, Roon Ready and Bluetooth® AptX technologies, streaming your content from your smartphone or tablet is easy and high quality.

For total listening pleasure at home, this streamer is multi-room compatible with many connected Naim products.

Perfect control

Naim Perfect control

The intuitive Focal & Naim app allows you to control your NSS 333 easily.

You can access all your music, including your favourite radio stations, playlists and streaming services or explore artist biographies and discographies.

Moreover, you can update your system wirelessly.

It also allows you to control both servers and Naim streaming products, eliminating the need to manage two separate apps.

Naim know-how

Naim NSC 333 Audio Venue

Under the leadership of their Technical Director, their engineers have developed specific electronic circuits to give the New Classic products superior performance.

The best components have been chosen, such as the NP800 streaming card, an exclusive DSP with integrated crossover for a high precision result and a high-end DAC distinguished by its audiophile management of the audio signal.

A timeless design

Naim products are designed to be both contemporary and timeless.

Their creations forgo any unnecessary adornments that would detract from performance and sound quality.

The design of the Naim NSS 333 is razor sharp, combining a sleek design, premium materials, a colour screen and adjustable logo brightness.

Integration into a complete system

Naim NSS 333 can be linked with New Classic products, but also with previous Classic Series lines via a new range of specific cables.

Easy to use

Simplicity is the key.

Buttons on the front panel allow quick access to standby mode, play/pause, inputs and favourites.

Enjoy the features of the bi-directional ZigBee remote, even without direct visibility of the product.

The inputs are configurable and a “Standby” option, consuming 0.5 Watts, reduces the electrical energy of the product.

The story of Naim and aluminium

Naim’s founder, Julian Vereker, immediately understood the many benefits of aluminium for wrapping Naim electronic components.

He knew that delicate audio components are very sensitive to the effects of magnetic fields, thermal instability, unwanted vibrations, etc.

Specifications Naim NSS 333

Specifications Naim NSC 333

 

Product Type Streamer
Control App control (iOS and Android), bi-directional ZigBee remote and front panel.
Control of NAC 332 via ZigBee
Optical 3.5mm output for synchronised control of compatible products e.g. NAP
250/350

 

Audio Inputs
Digital (S/PDIF) 2 x Optical TOSLINK (up to 24bit/96kHz)
1 x coaxial RCA (up to 24bit/192kHz, DoP 64Fs)
1 x coaxial BNC (up to 24bit 192kHz, DoP 64Fs)

 

Audio Outputs
Distortion 0.002% @0dBFS, 1kHz
Distortion Digital: 0.002% @0dBFS, 1kHz, volume at 0dB, 1kHz
Crosstalk Digital: 94dB at 1kHz, volume at 0dB
Analogue 1 x XLR pair (balanced, 2.1Vrms)
1 x RCA pair (2.1Vrms)
1 x 5-pin DIN
Digital (S/PDIF) 1 x coaxial BNC (up to 24bit 192kHz)
Signal-to-Noise Ratio Digital: 108dB ref 0dBFS A-wtd, volume at 0dB
Frequency Response Digital: 3Hz to 27kHz -3dB

 

Formats
Audio Formats WAV – up to 32bit/384kHz
FLAC and AIFF – up to 24bit/384Hz
ALAC (Apple Lossless) – up to 24bit/384Hz
MP3 – up to 48kHz, 320kbit (16 bit)
AAC – up to 48kHz, 320kbit (16 bit)
OGG and WMA – up to 48kHz (16 bit)
DSD – 64 and 128Fs
M4A – up to 48kHz, 320kbit (16 bit)
Gapless playback supported on all formats

 

Physical
Weight 24.25lbs (11kg)
Dimensions (HxWxD) 35/8x17x121/2″ (9.15×43.2×31.75cm)

 

Power
Mains Supply 115V or 230V, 50/60Hz
Power Consumption Typical use consumption: 25W
Network standby mode consumption: <2W
Standby mode consumption: <0.5W

 

Streaming and Ripping
Network Storage Ethernet (10/100Mbps), Wi-Fi (802.11 b/g/n/ac)
USB 2 x USB Type A socket (front and rear – 1.6A charge)
Naim NSC 333 Angled

Brand

Naim Audio

Naim Audio Their story begins with one man’s passion for music and weaves its way through four decades and a raft of iconic product launches to the present day. Naim Audio founder Julian Vereker MBE (1945-2000) was a racing car driver, entrepreneur and self-taught engineer with a deep passion for music. Spending his spare time listening to and recording his friends playing live in the 1960s, Julian found that playback on his system at home fell woefully short of the experience he craved. Not content with second best he decided to design his own amplifiers and loudspeakers, ignoring accepted wisdom and focusing on aspects of performance that made music burst to life. These first designs laid the foundations for a range of iconic and award-winning hi-fi products that would reach well into the next century. 1972 A first start at Capital Radio Julian won a contract to supply then start-up radio station, Capital Radio, with audio equipment. The successful design was a compact version of an early Naim Audio power amplifier combined with speaker drive units in one cabinet – the NAM 502 1973 Naim Audio Officially Founded Following the success of Capital Radio, Naim Audio was officially incorporated in 1973 with Julian Vereker and his co-founder Shirley Clarke as directors. Based in a shop in the centre of Salisbury, our first HQ had both manufacturing and demonstration facilities. 1973 The NAP 200 Power Amplifier Naim Audio's first consumer product for home use was launched in the year of our founding: the NAP 200 power amplifier. Originally designed in 1971, its descendant’s power amplifiers differ greatly technologically but still aim for the same performance goals of pace, rhythm and timing 1974 The NAC 12 Preamplifier With a network of dedicated independent retailers now on board in the UK, the NAC 12, our first production preamplifier, was launched. 1980 Classic Advertising As Naim Audio grew in popularity through the 70s and early 80s, the team decided to grab the attention of the press and public with a series of tongue-in-cheek adverts. They reflected the confident, often unorthodox nature of our approach to music playback and have become iconic in their own right. 1983 NAIT Integrated Amplifier Naim Audio’s first integrated amplifier the NAIT introduced. This iconic little integrated amp sounded quite unlike any other integrated of its day and set a trend for so-called ‘super integrateds 1985 The Queen's Award Naim Audio is recognised with the prestigious Queen’s Award for the first time in 1985. We would go on to repeat this achievement a further two times in the 21st century, winning for Export in 2010 and for Innovation in digital music streaming in 2014. 1991 The CDS CD Player Like so many Naim Audio products, the design of our first CD player, the CDS, flew in the face of conventional wisdom. Its Two-box configuration gave the power supply its own separate enclosure and the CD clamp used a rare earth magnet to keep its mass low whilst still firmly holding the disc without vibration 2000 NAP 500 Power Amplifier The year 2000 marked a step change in Naim Audio history. After several years in development, the new flagship Naim Audio NAP 500 power amplifier was born and with it the new industrial design aesthetic that would redefine Naim Audio for the 21st century. Its music-making ability would only be bettered by the arrival of Statement in 2014.

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