OLYMPICA NOVA WALL
Enjoy your music, everywhere
Perhaps the most interesting addition to the line, the wall-mounted speaker makes the collection complete and versatile.
ESSENCE OF A BRAND
Since 1983, many moments have marked the history of Sonus faber; the launch of the Olympica Collection 6 years ago is one of them.
One of the first lines presented as a complete family of products, but above all, the very first one to feature original drivers, entirely designed in Sonus faber.
Olympica Nova is the second generation of the iconic family of 2013, improved in its form and substance, imbued with the timeless values that inspired us in creating the original line.
The result is a new Collection that embraces the most advanced technologies that already enhance our most prestigious creations.
ORGANIC SHAPE
The lack of flat and parallel walls improves enclosure performance and maintains the typical asymmetrical Lute shape of first generation Olympica.
The asymmetrical shape of the cabinet is an original design concept that allows versatile positioning of the speakers to tune the bass response in any room.
Inspired by nature, the lines follow the flow of a circular spiral motion, achieving a more organic cabinet structure.
No longer just a functional element added to handle airflow, the reflex duct is now fully integrated into the cabinet, further improving the speed and transparency of sound.
FEATURES
Olympica Nova Wall ensures a compelling music or cinema experience in any environment.
With an included mounting bracket, this model is easy to install and optimised for near-boundary placement.
Specification Olympica Nova W
SYSTEM
2 way, passive radiator, wall mount loudspeaker system.
Drivers
Tw: H28 XTR3. Neodymium “cup design” motor system with DAD™, Ø 28 mm
Mw: MW15 XTR2-04, CCAW wire on a “eddy current free” voice coil, Ø 150 mm
crossover
2.500 Hz
FREQUENCY RESPONSE
50 Hz – 35.000 Hz
SENSITIVITY
87 dB SPL (2.83V/1 m)
NOMINAL IMPEDANCE
4 ohm
SUGGESTED AMPLIFIER POWER OUTPUT
35 W – 250 W, without clipping
DIMENSIONS (HxWxD)
562 x 309,3 x 234,5 mm
22.1 x 12.1 x 10.9 in
WEIGHT
9 Kg ea – net weight
19.8 Ib ea – net weight
The first pioneering project by Franco Serblin, founder of Sonus faber. A completely new concept for that time, an all-in-one system entirely made in solid wood.
On March 25, 1983 Sonus faber becomes a company in its first headquarter, a small laboratory in Monteviale, on the hills of Vicenza.
Sonus faber launches its first product Parva, a 2-way monitor speaker with a midrange cone in Kevlar and the cabinet in solid walnut wood.
Now well-established: accurate design and high quality natural materials for a natural sound reproduction.
Sonus faber demonstrate to the audiophile world what it was capable of with Extrema, a unique speaker with “extreme” components
It’s the year of the revolution. With the extraordinary Guarneri Homage Sonus faber begins its studies of the lute design and create the first speaker ever with the cabinet structure inspired by the lute shape
Amati Homage added to Guarneri Homage giving life to the first version of the iconic Homage collection
Following the path stared with Guarneri Homage, Sonus faber introduced of the Cremona collection, a family of speakers that enhanced the concept of the lute shape cabinet design
Creation of the first flagship Stradivari Homage, an innovative project that occupy an important place in the history of High Fidelity industry
Debut of the new flagship, Aida, able to reveal how much the company has evolved whilst keeping its original spirit intact and synthesizing ‘mature tradition’ with ‘technological innovation’
The second edition of Olympica collection, that has always embodied the company’s stylistic manifesto.
Olympica Nova pays homage to its predecessor while adding a substantial amount of freshly developed technology, from new drivers, crossovers and internal volume tuning to a brand new cabinet structure and a renewed exterior look.
Olympica Nova is where experience meets elegance. It is the distillation of our identity: Olympica Nova is Sonus faber.
