Wes Montgomery Trio

£85.00

Stoughton Printing Old Style Tip-On gatefold jackets with scuff-resistant matte finish. A Dynamic New Sound: Guitar/Organ/Drums. Pre-order now due August 2026

Available on back-order

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Wes Montgomery Trio

Wes Montgomery Trio

Mastered by Kevin Gray and Steve Hoffman at Acoustech Mastering

Double LPs cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings

Stoughton Printing Old Style Tip-On gatefold jackets with scuff-resistant matte finish

A Dynamic New Sound: Guitar/Organ/Drums

Wes Montgomery Trio – A Dynamic New Sound: Guitar/Organ/Drums, was the album that said: “Hello world, Wes has arrived — and he brought friends!”

Before Full House brought the fire, The Wes Montgomery Trio brought the vibe. Released in 1959, this was Montgomery’s debut on Riverside Records — and let’s just say, he didn’t exactly tiptoe onto the scene.

He kicked the door in with thumb-picking swagger, octave magic, and tone so warm it could toast bread.

So, what’s the deal with this album?

It’s right there in the subtitle: Guitar. Organ. Drums.

That’s it. No bass, no brass, no safety net. Just Wes on guitar, the criminally underrated Melvin Rhyne on Hammond B-3 organ (talk about groove!), and Paul Parker on drums keeping it tight and tasteful.

The result? A sound so lean and soulful, it practically invented the jazz organ trio aesthetic we know and love today.

Wes’ tone? Velvet meets voltage. Melvin’s organ work? Church on Sunday meets smoky after-hours club. Paul’s drumming? Like a good bartender — never flashy, but always exactly what you need.

This was a bold move: no bass, no piano, just pure stripped-down swing — and it worked. Why? Because these guys listened to each other.

They locked in and gave Wes the space to shine. You can hear the joy in the playing, the energy of three guys who knew they were onto something.

Jazz fans didn’t just nod politely — they flipped. Critics called it fresh, hip, and boundary-pushing. Montgomery’s style, which fused bluesy soulfulness with dazzling technical control, immediately caught ears.

This wasn’t just a good debut — it was a statement. And it sold, helping launch Wes into the jazz stratosphere.

We’ve given this timeless album the full Analogue Productions treatment: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings! Plus it’s housed in a

Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.

This classic album belongs in your jazz collection because it symbolises the moment the legend began.

It’s raw, it’s real, and it’s ridiculously cool.

If jazz history were a superhero movie, The Wes Montgomery Trio would be the thrilling origin story.

Plus, it grooves hard enough to make your neighbors forgive you for playing it at full volume (again).

Go ahead — make room on the shelf. This one earns it.

Track List: Wes Montgomery Trio

LP 1 Side A

1. ‘Round Midnight

2. Yesterdays

LP 1 Side B

1. The End Of A Love Affair

2. Whisper Not

3. Ecorah

LP 2 Side A

1. Satin Doll

2. Missile Blues

LP 2 Side B

1. Too Late Now

2. Jingles

Brand

Analogue Productions

Analogue Productions It was in 1992 that Acoustic Sounds owner Chad Kassem reissued his first Analogue Productions title, Virgil Thompson's The Plow That Broke The Plains, originally on Vanguard. Analogue Productions began as a vehicle for Kassem to license his favorite all-time recordings and reissue them as remastered and as a superior version to the original release. Since its inception AP has reissued hundreds of titles, ranging from classical to folk, pop, rock, blues and jazz. Included in the many highlights of Analogue Productions' history are the Fantasy 45 Jazz Reissues, the Blue Note Reissues, and premium box sets of the music of such legendary acts as The Doors, Stevie Ray Vaughan, Creedence Clearwater Revival, Nat "King" Cole and Norah Jones. True to its name, Analogue Productions works with the original analogue master tapes - more than any other reissue label! The result is superior sound - richer, warmer and more lifelike, than digital.

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