Bill Evans – At The Montreux Jazz Festival

£79.95

The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately

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Bill Evans – At The Montreux Jazz Festival

(2LP 200G 45RPM)

Bill Evans - At The Montreux Jazz Festival

200-gram pressing by Quality Record Pressings! Now at 45 RPM!

Mastered from the original tapes by Bernie Grundman

Old-style tip-on gatefold jacket by Stoughton Printing

Winner of the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group!

 As others have noted, this album occupies a unique place in the Bill Evans discography.

Bill Evans – At The Montreux Jazz Festival is the only album to document drummer Jack deJohnette’s too-short stay in the trio. 

The trio’s performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.

By the time this set was recorded, live in Montreux on June 15, 1968, Eddie Gomez and Evans had been playing together for two years.

Gomez provided a different brand of virtuosity to that offered by Scott LaFaro in Evans’s classic trio of five years earlier but he was clearly the best bass player Evans had worked with since LaFaro’s tragic death.

The groove between the two was deep and comfortable, so comfortable that in this set, Evans did something he hadn’t done before, at least on a recording: he showcased Gomez for an entire piece, the almost 7-minute-long “Embraceable You.”

As the liner notes by Gene Lees reveal, Evan’s performance at the renowned jazz festival in the nightclub of the Montreux Casino, one of the most fashionable resorts in Switzerland, was one of his best. He and Gomez played with more exuberance, more happiness and more drive.

Evans’ brooding, introspective musical side has been represented well on records before; the bright side has been too-little heard, but it’s here in this album.

At the end of each number the audience exploded in applause so stormy and extended that it had to be heavily edited for the album.

Enjoy this sparkling Bill Evans piano performance, made sweeter by the expert mastering by Bernie Grundman from the original analogue tape.

For this edition only the best vinyl pressing would do — a 200-gram super-silent luxurious-sounding platter from Quality Record Pressings, makers of the world’s finest-sounding LPs.

And Stoughton Printing old-style tip-on cardboard gatefold jacket with vibrantly reproduced original artwork.

How does it get any better? Well, this edition is cut at 45 RPM!

The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.

First-rate and top-notch, this album will make a superb addition to your record collection.

Brand

Analogue Productions

Analogue Productions

It was in 1992 that Acoustic Sounds owner Chad Kassem reissued his first Analogue Productions title, Virgil Thompson’s The Plow That Broke The Plains, originally on Vanguard.

Analogue Productions began as a vehicle for Kassem to license his favorite all-time recordings and reissue them as remastered and as a superior version to the original release.

Since its inception AP has reissued hundreds of titles, ranging from classical to folk, pop, rock, blues and jazz.

Included in the many highlights of Analogue Productions’ history are the Fantasy 45 Jazz Reissues, the Blue Note Reissues, and premium box sets of the music of such legendary acts as The Doors, Stevie Ray Vaughan, Creedence Clearwater Revival, Nat “King” Cole and Norah Jones.

True to its name, Analogue Productions works with the original analogue master tapes – more than any other reissue label! The result is superior sound – richer, warmer and more lifelike, than digital.

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